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Toxicwap music 20143/16/2024 ![]() In the South, the music became harder and tougher, relying on syncopated rhythms, raw vocals, and blaring horns. In Detroit, Motown concentrated on creating a pop-oriented sound that was informed equally by gospel, R&B, and rock & roll. In urban centers like New York, Philadelphia, and Chicago, the music concentrated on vocal interplay and smooth productions. However, musicians pushed the music in different directions usually, different regions of America produced different kinds of soul. During the first part of the '60s, soul music remained close to its R&B roots. From the bouncy, catchy acts at Motown to the horn-driven, gritty soul of Stax/Volt, there was an immense amount of diversity within soul. Soul came to describe a number of R&B-based music styles. Eventually, R&B metamorphosed into soul, which was funkier and looser than the pile-driving rhythms of R&B. During the '50s, R&B was dominated by vocalists like Ray Charles and Ruth Brown, as well as vocal groups like the Drifters and the Coasters. It was blues chord changes played with an insistent backbeat. ![]() R&B kept the tempo and the drive of jump blues, but its instrumentation was sparer and the emphasis was on the song, not improvisation. Evolving out of jump blues in the late '40s, R&B laid the groundwork for rock & roll. ![]()
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